Nitza Ben-Dov (Hebrew: ניצה בן-דב, née Fruchtman, born 10 March 1950) is Professor of Hebrew and Comparative Literature at the University of Haifa.
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Nitza Ben-Dov was born in Tel Aviv to parents who were Holocaust survivors. Her father, Dov (Bernard) Fruchtman, was a teacher of literature and wrote a series of research studies on the oeuvre of S.Y. Agnon. Ben-Dov completed her secondary studies at the New High School (Tichon Hadash) in Tel Aviv in 1968. She served in the Israel Defense Forces (1968-1970) in the Nahal Brigade, at Nahal Golan.
Ben-Dov studied Hebrew Literature and Biblical Studies at the Hebrew University in Jerusalem from 1970 to 1973 and received a teaching certificate in 1974. In 1974-1983, she did a Masters degree and doctorate at the University of California in Berkeley. Her doctoral dissertation was on dreams and psychology in the work of Agnon and Franz Kafka. She was an assistant professor at Princeton University from 1986 to 1989.
In 1989, she began to teach Hebrew and Comparative Literature at the University of Haifa, becoming a full professor in 1999. She has served as Editor-in-Chief of Haifa University Press/Zmora-Bitan (1996-2000) and as chair of the Academic TV channel (2001-2005).
Ben-Dov is married to Yossi Ben Dov, and has three children. [1]
Ben-Dov has published books, articles, and essays on S. Y. Agnon, Abraham B. Yehoshua, Amos Oz, S. Yizhar, Yehuda Amichai, Yehoshua Kenaz, Yehudit Handel, Haim Be'er, Sami Michael, Zeruya Shalev, Yehudit Rotem, and Dahlia Ravikovitch. Her research combines structuralist, feminist, psychoanalytical, and biographical elements in the work of these authors, along with intra-textual and inter-textual scrutiny.
Her book Agnon's Art of Indirection: Uncovering Latent Content in the Fiction of S.Y Agnon, published in 1993, revealed the possibility of analyzing Agnon's work (characterized by "the art of indirection", a term coined by Ben-Dov) even when translated into English. Ben-Dov has introduced Agnon to scholars of literature outside Israel and proved that it is possible to analyze word by word, through close reading, the unique nature of Agnon's work. Although the nuanced relations of the 'latent' and the 'uncovered' layers are attached through the essence of the Hebrew language, Ben-Dov illustrates that the greatness of a writer must withstand translation. The book surveys the methods, themes, and materials in Agnon's art, and deals extensively with dreams and their interpretation. It presents intersections of meaning in Agnon's writings, in which various layers are brought to light: psychoanalytical and cultural; a discussion is conducted on Biblical infrastructures, which the English reader may find in the translations of the works, in contrast to the Talmudic infrastructures.
The Hebrew book Unhappy/unapproved Loves: Erotic Frustration, Art and Death in the Work of Agnon (1997) enlarges the discussion of the Agnonian corpus and contains psychoanalytical discussions in the spirit of Freud and Jung; along with these are inter-textual discussions, both literary – as to the affinities between Agnon and Mann, Kafka, Voltaire, and Flaubert – and artistic-anthropological, on the affinity of the writings to the works of Rembrandt and Arnold Böcklin. The combination of methods constructs an autonomous cultural interpretation, which deciphers the Agnonian character, as well as the society out of which it arises. Common to the corpus under consideration is the theme of unfulfilled love and frustration that this invites. In this book Ben-Dov holds a dialogue with Agnon scholars and critics, and offers an original interpretation of his writing.
Her Hebrew book And It Is Your Praise: Studies in the Writings of S. Y. Agnon, A. B. Yehoshua and Amos Oz (2006) concerns particular, intra-textual research, mapping repetitive primary themes and literary formats in Agnon, Yehoshua, and Oz. It also conducts inter-textual research, singling out the tangential points of Yehoshua (to whom is devoted Ben-Dov's Hebrew book In the Opposite Direction, 1995, about the novel Mr. Mani) and Oz on the one hand, and Agnon and the other: Agnon is a 'father figure' and a the creator of literary models on which Oz and Yehoshua draw. In addition, the book indicates the unique elements in the works of Oz and Yehoshua after they lay down a mature fictional mode. The writings that Ben-Dov chose to discuss are timeless.